Creativity Days

Creativity Days featuring great design, architecture, fashion, graphics and innovation from across the globe.

 

Graphic

Explore 745 award-winning designs tagged Graphic on Creativity Days.

Cloud Living Room Corporate Logo

Xiaobing Cheng Corporate Logo Graphic

Cloud Living Room

Cloud Living Room is a corporate logo created for an urban exhibition and reception space in Shenzhen. The mark is centered on the idea of a window, framing a view of the city and its future. The modular form is drawn from the opening movement of windows, and it also recalls the slider components used in technological interactions. The logo is built on the golden ratio and is printed with Pantone spot colors. The design aims to express openness and to connect urban culture with technology.

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What Next Brand Identity

Marko Stanojevic Brand Identity Graphic

What Next

Final visual outcome is reached by taking a symbol and turning it into a question mark by placing it on a smaller square below (an extracted 1/4 piece of a big square above it) and putting it on a tipping point while remaining in balance, creating a visual sensation of tension with a minimal rearrangement of elements. What Next logo, as well as the name, are in a way an oxymoron, a question and an answer both at once, creating friction. On its own, logo-sign is a simple, deliberate imperfection and a straight-forward communication vessel, striving to create a lot with little effort invested.

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Hiroshima Peace Song Exhibition

Naoya Katagami Exhibition Graphic

Hiroshima Peace Song

The designer created the design by envisioning how a single droplet of water expands into a cascading waterfall, using the lyrics of the Hiroshima Peace Song. Inspired by principles akin to Japanese Zen, the design is placed on a plain background so that its simplicity yields deeper significance the more one observes it. The English lyrics of the Hiroshima Peace Song, which is sung every year at the end of the Peace Memorial Ceremony on August 6, are used to symbolize how peace can spread outward.

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Bellamy Sans Typeface

Paul Robb Typeface Graphic

Bellamy Sans

Bellamy Sans is a contemporary sans-serif typeface that reimagines the grotesque style through a refined, modern sensibility. Rooted in the traditions of Swiss typography, it upholds the core principle of neutrality while introducing a softened approach to the rigidity characteristic of classic grotesques. Subtle contrast and meticulously crafted curves lend the typeface an understated expressive elegance, with a clarity that emerges without reliance on superfluous ornamentation.

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Fun Community Project Visual Design

Meng Shenhui Visual Design Graphic

Fun Community Project

Fun Community Project is the visual identity of a public art event held in Shenzhen. The design uses playful typography, abstract artistic graphics and bright gradient colors. Six abstract graphics refer to the six public art pieces shown at the event. The identity is applied to billboards, printed matter, balloon films, books, artwork introduction boards and scene construction. Clothing, hats and key chains are also produced. The aim is to join art with community life and to invite the public to take part.

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Grovehood Collective Branding

Cansu Dagbagli Ferreira Branding Graphic

Grovehood Collective

Grovehood Collective partners with earth friendly boutique farms to create a transparent extra virgin olive oil brand in the Netherlands. The visual identity balances tradition and modernity, emphasizing authenticity and traceability. A vintage inspired label with custom cut details and refined typography reflects craftsmanship and shows all the details of olive origin. The olive with orbits symbol honors the dedication of family run farms whose world turn around this fruit, while an earthy color palette highlights the products natural origins, forming a cohesive packaging system.

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High Mountains Flowing Water VI Design

Luo Baoquan, Feng Jiamin, Lv Zhiwei VI Design Graphic

High Mountains Flowing Water

High Mountains Flowing Water is a poster and visual identity created for an exhibition of Chinese and Italian art. The design blends Eastern and Western elements to express cultural exchange. The Chinese characters for mountain and water are joined with English letters in one fluid calligraphic motion, and the letters M and W form a shape that recalls a Roman column. A palette of red, white and green refers to the Italian flag. The exhibition title, date and venue are set in larger type for quick recognition. Tote bags, fans and staff badges share the same visual design.

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Arrival Training Brand Identity

Botond Vörös Brand Identity Graphic

Arrival Training

Arrival is an online training planner and tracking service for amateur runners. The logotype visually hints at the duality of the wordplay between Arrival and A Rival, through the positive-negative trick of the R letter. The slanted typography adds dynamism and movement to the design. The unique angle of the logotype is reflected across the visual identity, determining the illustration style, the structure of icons, and the layout arrangements.

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Aisanka Information Magazine

Kiyoka Yamazuki Information Magazine Graphic

Aisanka

She was asked to create a cover illustration with the theme of Aichi Prefecture Festivals in order to spread the appeal of Aichi Prefecture (history, culture, industry, etc.) to the whole of Japan and the world. She observed festivals unique to Aichi through video and documents, captured their characteristics, and expressed the fun and uniqueness of the festivals in her own way through illustrations.

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Cyber Mind Corporate Identity

Andrei Zhukov Corporate Identity Graphic

Cyber Mind

Cyber Mind's identity is built on the interplay between human cognition and digital innovation. Inspired by the structure of neural connections and atomic bonds, the design conveys intelligence, precision, and seamless integration. The visual system balances geometric accuracy with fluidity, creating a dynamic yet structured aesthetic. This approach ensures clarity, adaptability, and a strong visual presence across various media, reinforcing Cyber Mind's role as a forward-thinking technology brand.

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Bon Vivant Information Magazine

Kiyoka Yamazuki Information Magazine Graphic

Bon Vivant

Bon Vivant is an information magazine distributed free of charge at credit union branches across Japan. Each bimonthly issue introduces local people, industries, regional products and tourist sites, connecting readers with the towns around them. The magazine measures 21 by 15 centimetres and contains about 15 pages. The cover illustration is hand drawn with brushes and acrylic paints on illustration board, using compasses, rulers and ruling pens, and is then refined in image editing software. Warm colours invite readers to take a copy home.

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Typeface Calendar

Katsumi Tamura Calendar Graphic

Typeface

Typeface is a calendar designed around the concept of the typeface. The set contains four sheets. The months from January to December are punched out in an original typeface. Each sheet can be assembled into a three-dimensional unit that displays three months of the year. Assembly is simple and needs no glue or scissors. The sheets are made of pure white cardboard, and the number of fastening points is kept to a minimum. Each sheet measures 140 by 185 millimeters. The calendar can also be displayed as part of a room interior.

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