Creativity Days featuring great design, architecture, fashion, graphics and innovation from across the globe.
Explore 745 award-winning designs tagged Graphic on Creativity Days.
Zhuliguan is a themed hotel focusing on bamboo culture, The pattern looks like both a bamboo and swallows, making people to expect the start of a new journey. The logo presents a development from nothing to something, which originally comes from philosophical Taoism. Its change carries the philosophy of traditional Chinese Taoism "Out of Tao, One is born. Out of One, Two; Out of Two, Three; Out of Three, the created universe", implying "The Tao way follows nature".
HMP is a visual identity created for a mechanical engineering group. The logo underlines the strength of the company and clarifies its communication. The letters are formed in the same way the group stamps them on its pieces. Sketches and technical schemes in the background evoke the global support that HMP provides. Each area of expertise is marked by a pictogram and a specific color, selected with the client to explain the different services. The identity is adapted for digital and printed media, including business cards, letterhead paper and folders.
The SETMA, Municipal’s Tourism and Environment Secretariat of Jijoca de Jericoacoara, brand represents the harmonious landscape and natural wonders of the city, from the Blue Lagoon, the Serrote, the Pierced Stone, the Sea and the iconic Sunset on the Dunes. The designer unified all these elements in a harmonious form with the use of sine waves curved elements, which represent the frequency, balance and equilibrium between all the natural beauty and experience the city provides, deemed beautiful by their residents and many visitors around the world.
The catalog was created for Russian manufacturer of cooking utensils. As a result of detailed familiarization and comparative analysis of all collections, the most suitable spices, herbs and vegetables were selected, which complemented the design of the catalog and highlighted the advantages of each collection. The main cover of the catalog's made with a cutting in the form of a frying pan, through which the color photo of the collection shows. The handles of the frying pan and pots on the second cover are varnished by soft-touch laque, imitating the actual coverage of these handles.
One of the things that served as the main inspiration behind the making of these designs is the variety of patterns, textures, and colors found in many different cultures around the world, as well as the wildlife usually found in these nations. It is a project that will allow the artist to continue expanding it for years to come, adding more and more nations. This project focuses on the importance of teaching children about cultural awareness. The use of vibrant colors and different shapes and patterns were essential to achieving the goal of paying homage to these nations and their traditions.
Flora is a fantasy illustration to promote the artist’s creativity and storytelling, depicting the flowering of gastrointestinal microbiota fertilized by the churning gastric environment. The flowering is depicted by petals of Bacteroidetes, Bifidobacteriam, and Enterococcus faecalis, pistils of Lactobacillus and stamens of Enterococcus faecalis perched on stalks of Escherichia coli. The flower itself emerges on stalks of Clostridium difficile. Bacillus cereus, long rod-shaped bacteria in their arthomitus stage attach by fibers to the intestinal epithelium, grow filamentously, and sporulate.
The story and design chosen by Simran are quite different yet perfect together. As seen the colours used are unique and each page has different tell to the story. She succeeded in pulling off the story in 6 spreads with the style of Van Gogh which isn't easy to pull off. The design of her text is poetic and beautiful, not too heavy and not to light. It is perfectly balanced and placed. Each page has a different emotion and colour or mood to it bringing out a new fresh perspective.
Blessing Gifts is a red envelope design created for the Chinese New Year of the Monkey. The envelope is made of green paper and measures 85 by 165 millimeters. The illustration shows a monkey whose face is formed by a walking cloud, the cartoon character of an environmental education brand in Guangdong, China. The design name refers to a Cantonese expression that means very good. Slogans and illustrations combine New Year greetings with a call for environmental care. The envelopes were given free of charge to companies and to individuals.
The visual idendity of “Occasional Motto” was built based on the literal meaning of the company name, and extracted the essence of telling different experiences to people. The identity has several key colors, a typographic logo, and multiple illustrations which plays with a modern, and warm image that making each product unique, but cohesive with different contexts.
This is a brand design for a new luxury resort, built on top of Huangbai mountain in Hunan Province. The aim of this project is to combine traditional Chinese aesthetic with Western simplicity into branding design. The design team extracted the rich characteristics of animals and plants in Huangbai mountain and designed a crane shape logo using traditional Chinese painting technique, the feather of cranes had been simplified into a design pattern. This basic pattern can form all kinds of animals and plants（which exist in the mountain), and made all the design elements looks harmonious.
Regeneration is an exhibition visual identity created for an environmental art exhibition based on cardboard boxes. The exhibition is part of a series that connects environmental protection and art. A comma is used as the central visual element, because a comma marks both a pause and a new beginning. The comma is placed on a green field and refers to the cycle of recycling. Green paper and paper skin are used in the design. The comma motif is also applied to brochures, T-shirts and packaging.
Irozuki is a wall calendar that changes color every month. Each month shows a different color and expression, so the calendar acts as a colorful accent within a simple interior. When a month ends, the finished sheet is moved to the back of the calendar. After six months, all sheets are turned over together and a second set of color combinations appears. Only six printed papers are used for twelve months. The calendar measures 220 mm by 260 mm. The package is shaped like a flower and is cut from double papers so the form is kept on any display.